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TIME: Almanac 1995
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TIME Almanac 1995.iso
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<text id=92TT2923>
<title>
Dec. 28, 1992: Reviews:Music
</title>
<history>
TIME--The Weekly Newsmagazine--1992
Dec. 28, 1992 What Does Science Tell Us About God?
</history>
<article>
<source>Time Magazine</source>
<hdr>
REVIEWS, Page 68
MUSIC
Look Back In Anger
</hdr><body>
<p>By Christopher John Farley
</p>
<qt>
<l>PERFORMER: ICE CUBE</l>
<l>ALBUM: The Predator</l>
<l>LABEL: Priority</l>
</qt>
<p> THE BOTTOM LINE: A first-rate rap album explains--and
embodies--the anger and confusion of the L.A. riots.
</p>
<p> In America pop culture has always glorified criminals,
real and fictional. Michael Corleone. Bonnie and Clyde. John
Gotti. The current "gangsta" genre in rap is no exception,
reveling in crimes and misdemeanors, drive-bys and lootings. And
for one of its leading practitioners, Ice Cube, 23, crime
certainly pays. His new album, The Predator, entered Billboard's
pop as well as its R.-and-B. chart at No. 1--the first time
a performer has pulled off that double feat since Stevie
Wonder's Songs in the Key of Life in 1976.
</p>
<p> The album is pure testosterone, straight up, no chaser.
For Ice Cube, protecting and asserting his manhood is an
important political act. His ancestors came over in the bottom
of the boat, the generation before him rode in the back of the
bus, and he sure isn't going to go out handcuffed in the rear
of a police car. The first song, When Will They Shoot?, is a
blast of fear and loathing to a thumping metallic beat. "Will
they do me like Malcolm?" Ice Cube asks. "Uncle Sam is Hitler
without an oven...The KKK has got three-piece suits."
</p>
<p> Sound a little paranoid? Cube acknowledges that ("My
mind's playing tricks on me too") while simultaneously
justifying his high anxiety. A native of South Central Los
Angeles, he wears that city's riots like a crown of thorns,
invoking them again and again as proof of his worst fears about
America. On Now I Gotta Wet 'Cha, he goes after the white cops
in the Rodney King episode: "Those devils can beat up a
motorist/ And get nothing but a slap on the wrist/ Gorillas,
gorillas/ Report to the mist."
</p>
<p> Some of rap is about acting, role playing. That's probably
one reason why so many rappers are going into movies. Cube made
an impressive debut as a sympathetic, beer-drinking thug in the
1991 Boyz N the Hood, and in Trespass, coming out this week, he
is a gun-toting gangster. Although he may play a criminal in
movies and in his music, it's a front. Not that he doesn't have
an ugly, heavy-metal misogynistic side that he really ought to
jettison. But he does show indications of an underlying
humanism. On his first solo album in 1990, AmeriKKKa's Most
Wanted, he brought in female rapper Yo-Yo to counterbalance his
sexist views. On one track on The Predator, he says, "I do want
the white community to understand." On another he fantasizes
about a perfect day during which "nobody I know got killed in
South Central L.A."
</p>
<p> Unlike other anti-heroes America has mythologized, from
Billy the Kid to Bugsy Siegel, Cube's gangsta persona has a
moral compass. But apparently he hasn't found magnetic north
yet: The Predator ends with the shooting of a corrupt cop as he
reaches for a doughnut.
</p>
</body></article>
</text>